Suchergebnisse

• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2010

  Wiege oder Totenbett der Literatur?

  Peter Brandes

  …productivity. From the perspective of an aesthetic of production and reception, the significance of the bed cannot be overestimated. Not only is it a preferred…
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2010

  Das Lauern des Objekts. Schreibszenen bei Jean Paul und Friedrich Theodor Vischer

  Jörg Kreienbrock

  …of life‘ consist, then, not in fighting the small, quotidian annoyances, but in embracing them and transforming them into pleasure mixed with annoyance… …(Unterunterunterabteilungen) des Dochtes, so gerät man fast in die alte Not zurück, da ein abgekneiptes Licht so dunkel brennt als eines mit ganz freiwüchsigem Dochte […]…

  Alle Treffer im Inhalt anzeigen
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2010

  … was ich in diesem Hause geworden bin

  Tove Holmes

  …zweckmäßig, it is not allowed to show any signs of actual use as this would interrupt the appearance that all the rooms are Prunkzimmer, primarily for… …structure and scope of the entire novel. Although unprecedented in the extent to which visuality affects the text, Stifter’s specific Bildungsprojekt is not… …of my understanding of description as not only marking the development process but facilitating and even constituting it. Klaus-Detlef Müller: Utopie… …by showing degrees of remove from an initial viewing, one always incomplete and often not consciously undertaken and thus not registered in the text… …descriptions of interiors, space is defined not by the character’s motion through it but rather by the descriptions of the places at which he arrives. 17… …this constant slight change of perspective that a temporal and spatial dynamism once again becomes possible. Cf. Lukács [fn. 2], p. 59. 16 This is not… …closer examination it does not appear that they are intended for the reader, but primarily for Heinrich himself. Instead of being presented with a complete… …not get the impression that anything was withheld from the description and hence from the reader: perception and description are perfectly connected… …which he presumably did not notice right away. It reflects aesthetic qualities he has already learned to appreciate at home but presents the most perfect… …experiences, learns to recognize subtleties, and observes things on their own as well as within their frame or context. The view is not one of simultaneity…

  Alle Treffer im Inhalt anzeigen
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2010

  The Dream Chamber

  Paul Fleming

  …leave if not this world, than at least its furnishing behind. The pen is heavy enough. Furniture, however, is unavoidable, surfacing in writing as its… …case in Baudelaire and Benjamin – then such writing shot through with sleep is a writing that awaits awakening: not necessarily to the light of day and… …, the dream of effortless writing, of as if not having written at all often results in just that: nothing at all. Unless one’s name is Goethe. The Art of… …as it should. The Hegel citation is certainly apocryphal, its meaning indeed paradoxical, but not as convoluted as Poe’s gloss of it: the most… …bear fruit. One could continue this thought and say: for this reason, furniture is especially philosophical. But Poe is not dismissive of the philosophy… …did into choosing his carpet; he wanted to get it right. This relation between carpet and text, and a certain genius for both, is not capricious. For… …connoisseurs – a room furnished in poor taste is as immediately offensive as a failed poem. It is, however, not a question of the individual pieces, their… …quality or worth. True interior beauty only comes through “keeping” – not in the current parlance of “holding on to”, but of “arranging, ordering… …furniture that Poe is after than an aesthetics of furnishing; in other words, Poe’s art of interiors is not directed at particular pieces in their isolation… …exemplar of keeping begins as follows: Even now, there is present to our mind’s eye a small and not ostentatious chamber with whose decorations no fault can…

  Alle Treffer im Inhalt anzeigen
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2010

  Unbecoming Furniture

  Jason Groves

  …desks that do not fit their figures, and his narrators become unemployed in order to take a stand against unusable furniture. According to Walser’s… …ergonomics, they work while taking a break from work: in an interval of not working and not writing, in an interval of walking. Unbecoming Furniture (I)… …re-discovery of Walser’s legendary walks 3 , Walser criticism generally writes off the supporting role played by furniture in his writing, not only in the… …writing perhaps always tended to produce “keine rechten Buchstaben”, that is, they present an aberration not only from an established ortho-graphy, but… …‘Pult’) that do not fit his stature. Hardly a scene of writing occurs without reference to an ill-fitting desk unbecoming of the writer seated there. While… …enclosing letters he has not drafted, or where he drafts letters to which he will never sign his name. It is the site of an abandonment, where the writer… …frequently complain of having to stand or sit at desks that do not fit. The institutions whose furnishings support these writers therein deprive them of their… …Nachdenken und zu endlosem Überrechnen weitläufiger künstlicher Muster.” 15 What sponsors this link between the weaver and the writer is not just the… …material – a scene of writing but not the actual writing – and by being so unengaging that this other writing, to which Walser can sign his name, may emerge… …later, alongside an etching of an office scene made by Karl Walser, as the inaugural poem of Walser’s “Gedichte”. 21 Left undated, it is not certain when…

  Alle Treffer im Inhalt anzeigen
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 3/2010

  Das Echo des Bildes. Narration und poetische Emergenz bei Heinrich von Morungen

  Hartmut Bleumer

  …specific relationship of visuality and sonority in Morungen's work shows not only how time must in principle be preconstituted through narrative in order to…
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 3/2010

  Freundschaft bei Walther von Breisach und dem Kanzler

  Stefan Seeber

  …inner space which belongs to the self and is not dependent on friendship. Friendship is placed in different hierarchical positions: the Chancellor places…
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 3/2010

  Valentine Pakis: Line One of “Christus und die Samariterin” (ÖNB 515)

  Valentine Pakis

  …off the mark and unintentionally so. 8 That the poem could not have been written in the early ninth century is clear from the state of its language… …volliste (line 26; finfi is the older form). 443 Valentine Pakis discrepancy is not enough to invalidate this hypothesis, it can be added that no other work… …it the prestige of age, 10 even though vernacular writing held no prestige at the time and, had it, a single century would not have lent it any more… …interpretive difficulties, it may indeed be that the letters written above fartmuodi do not represent a calendar date. This possibility is strengthened somewhat… …t of altm%ga ‘ancestors’ (line 30). Moreover, the particle ne ‘not’ (line 13) is written above t7 habis kiscirres ‘you have a vessel’ (line 13… …, positioned between t7 and habis), a cluster recorded in scriptio continua. 13 Perhaps the interlinear diccuun, like ne ‘not’, is a corrigendum to be… …the adverbial (accusative) suffix -un, which is not uncommon; analogues include foll7n ‘fully’, g%h7n ‘hastily’, and araw7n ‘vainly’. 17 As it stands… …‘christliche Endreimdichtung’. My ear, at least, is not as sharp as that of Paul Habermann, who could write the following about the recitation of “Christus und… …line 1, moreover, does not seem to yield an abnormal scansion: x / x / x / \ x ther heilant diccuun fartmuodi Line 29b scans similarly – betoton hiar in… …more persuasive, then, if diccuun (‘often’ ‘sehr’ ?) corresponded to anything in the Vulgate rendition of John 4.6, but it does not: Iesus ergo fatigatus…

  Alle Treffer im Inhalt anzeigen
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 2/2010

  Mortimers ‚Gothic‘ Vorgänger. Eine potenzielle Quelle für Schillers „Maria Stuart“ in der englischen Schauerliteratur

  Jennifer Driscoll Colosimo

  …Mellish eine Figur „though not directly authorised by history, yet strictly analogous to it.“ (Vgl. NA 9.1 N, S. 400.) 3 Schillers Mortimer schließt eine… …befreien. Matilda entgeht dabei nicht, dass sie auch das erotische Interesse ihres Retters erregt hat: I could not but perceive an interested motive actuated… …put you into my power. ’ […] ‘Hope not, my fair cousin,’ rejoined he with a malicious smile, ‘your sentimental innocence can cope with the arts of a… …knew not then it throbbed against its master’s!’ (137) [‚Unterwerfen Sie sich nun Ihrem Schicksal,‘ sagte Mortimer gebietherisch; ‚denn um Ihnen alle… …bemerkt in diesem Zusammenhang, „Schiller did not follow [Körners] advice.“ (Ebd., S. 74) Es ist zwar nicht zu widerlegen, dass sich Schiller nach „Der…

  Alle Treffer im Inhalt anzeigen
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 2/2010

  Der Wahnsinn hat Methode. Das ‚Andere der Vernunft‘ in E. T. A. Hoffmanns Erzählung „Das Gelübde“

  Stephanie Catani

  …poetological dimension in the field of tension between the history of medicine and (para)psychology. The tale thus not only anticipates the selfreflexive…