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• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 3/2008

  Feindliche Fürsten – hilfreiche Grafen. Anmerkungen zur Personenkonstellation in „Wolfdietrich“ D

  Walter Kofler

  …, kann er nicht nur als Kompilator, sondern muss auch als Dichter angesehen werden. The surviving versions of the “Wolfdietrich” do not permit a… …, “Wolfdietrich” D has a special position in the tradition which is not merely quantifiable. The constellation of characters shows the unusual independence of the… …humour to heroic elements. Since the D-editor clearly created text passages himself, he must be regarded not only as a compiler, but also as a poet. Die… …it geben, so helfent mir vs not“ (D 1729,4–1730,4). Kaum dass der alte Ritter sich davongemacht hat, kommen auch schon Hartman und Herman in Garte…

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• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 2/2008

  Die entgötterte Welt. Religion und Ökonomie in Goethes „Lehrjahren“

  Marcel Krings

  …Apprenticeship” is not about enlightened humanist education, but depicts the transitory process from feudalism to a modern economy in Germany. Profitable activity…
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 3/2008

  Michael Curschmann, Wort – Bild – Text. Studien zur Medialität des Literarischen in Hochmittelalter und früher Neuzeit

  Jeffrey Hamburger

  …such relationships in terms of content – as though one medium were supposed to translate from the other.” What we have here is not quite the same as the… …the “new philologists”, whose focus, moreover, was on French, not German, literature of the Middle Ages. 2 For starters, Curschmann’s prose, be it in… …to images and an awareness and appreciation of their role, not simply as illustrations or as supplementary sources of information, but as active agents… …, regarding illumination as symptoms of reading, revision and transformation, Curschmann’s essays are much more sharply focused on images (and not just those in… …customany definitions of text-image problems in that it embraces more media: not just illuminated manuscripts, but also wall painting, sculpture, early… …through a dynamic one. In short, Curschmann’s ultimate interest is not just in the book (text and image together) as witness to a given cultural trend, but… …term. In so doing, however, this figure perhaps inadvertently points to yet another term that, while not absent, is not as present as it might perhaps… …Wenzel’s “Hören und Sehen, Schrift und Bild”, but otherwise the corporeal does not figure as prominently as one might have expected, especially vis à vis the… …role of the visual in oral performance. Had the body loomed larger, Curschmann might not have characterized the admittedly idiosyncratic series of images… …Vulgarikonographie sozusagen, und überhaupt neue Wege visueller Begleitung zu bahnen] in Deutschland” (S. 262). Idiosyncratic need not mean unsuccessful, nor…

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• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 2/2008

  Der Geist als Nostalgiker des Lebens. Was verbindet und was unterscheidet Grillparzers „Sappho“ und Manns „Tonio Kröger“?

  Vittorio Hösle

  …– Hans Hansen – Ingeborg Holm in Grillparzer’s play and Thomas Mann’s novella respectively. It points out striking parallels, even if Mann did not see… …man has done a great thing in writing that play. And who is he? I know him not; but ages will, ‘T is a high intellect. […] too Madame de Staël-ish now… …learn is not his last piece, but his second, appears to us very considerably the most faultless production of his we are yet acquainted with.“ (Thomas…

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• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 2/2008

  Figurationen der Melancholie. Spuren Walter Benjamins in W. G. Sebalds „Die Ringe des Saturn“

  Anja Lemke

  …Benjamin’s concept of allegory. However, Sebald does not go as far as Benjamin’s “allegorical historiography”, which in the “allegorical collection” of memory…
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2008

  Poetischer Realismus in der ‚Maske des Mythos‘: Conrad Ferdinand Meyers „Schuß von der Kanzel“

  Sandra Schwarz

  …comment on the ‘Gründerzeit’ and also reveals the true licentious nature of humankind. Behind the ‘mythical mask’ lies not so much Meyer’s aspiration to…
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 3/2008

  Zwischen Konservierung, Restaurierung und Aktualisierung. Zur Frage nach dem Verwendungszweck der Berliner Neidhart-Handschrift c

  Ann-Kathrin Bleuler

  …used for singing, as the use of virgules and the rhyme and rhythm frequently prove to be incorrect and are not linked to the melody structure. The…
• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2008

  Matthias Weichelt: Gewaltsame Horizontbildungen: Max Kommerells lyriktheoretischer Ansatz und die Krisen der Moderne, Winter 2006, Heidelberg.

  Paul Fleming

  …George does not shy away from the violence mentioned in the study’s title (see 67–8). Kommerell’s answer to the crisis of modernity is, however, not free… …; they not only provide immanent, clear readings of Kommerell’s terminological use, but also examine the historicalconceptual context of each. Although… …, well documented, and mobilizes careful readings that not only shed light on the darker passages in Kommerell, but also offer new insights and impulses… …language of “keine Erben” comes from Kommerell himself when discussing not lyric but “Faust II”. This possibility is not intended as a fundamental critique… …that only in lyric poetry did the impossible occur: an heir to Goethe was found. Not, however, Stefan George, whom in Weichelt’s unfolding of Kommerell’s… …, den lange Zeit nur Hofmannsthal und George bevölkern” (316) – very late indeed: not only at the end of his (short) life but also at the very end of his… …raises a possibility: perhaps art only assumes its full fascination for Kommerell with a crisis. In other words, Kommerell’s emphasis on crisis may be not… …only a problem but also a condition of art in modernity. Rilke arrives, then, not as a savior, but as the one who simply keeps the tension, the crisis…

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• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2008

  Patrick Greaney: Untimely Beggar. Poverty and Power from Baudelaire to Benjamin, University of Minnesota Press, Minneapolis, London 2008.

  Kirk Wetters

  …metaphoric base is not difficult to make, and, as Greaney also emphasizes, the idea of poverty always transcends a purely socioeconomic conception. Whether one… …poverty does not designate a single, namable and demonstrably excluded group or class, but that it is something like a determining factor for a whole… …not alone, as Greaney’s chapter on Benjamin shows) that the modern conception of privacy and a private sphere also reflect a form of privation. If, as… …universal poverty, not limited to Schmitt, Benjamin or Doderer, becomes plausible in light of a history of representations, while poverty remains… …, Rilke’s “Buch der Armut und des Todes”, Rilke’s „Malte”, and Benjamin and Brecht – is the unrepresentability of poverty. Greaney does not make this general… …more contemporary appeal to the “untimely beggar,” but such new representatives of new poverty do not alter the underlying political-representational… …for new potentials that would not be recuperated or opened up to the false promise of redemption in closed emblematic forms. New Haven Kirk Wetters 630…

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• eJournal-Artikel aus "Zeitschrift für deutsche Philologie" Ausgabe 4/2008

  Leonhard Fuest: Poetik des Nicht(s)tuns. Verweigerungsstrategien in der Literatur seit 1800, Fink, München 2008.

  Carolin Benzing

  …Bartleby die Vaterrolle der „poetischen Totalverweigerer“ (226) des 20. Jahrhunderts zugesprochen. Seine elementare Abwehrformel „I would prefer not to“…