…solte dicker
sehen,
als ir sît genennet und ich iu hœre jehen.
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er solte mit sînen helden ofte buhurdieren,
dâ mite er sîniu erbe und…
…uniquely significant in forging bonds of obligation between
the men: cf. ibid., pp. 351–353.
8 Hilsdale [note 5], p. 178.
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and economic…
…mediävistischen Erzählforschung 1, 2018,
pp. 38–63.
15 Mauss: The Gift [note 11], p. 4.
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instrumental goals – it must appear to be given freely…
…Kathryn Starkey
geworcht mit golde [horse blankets and banners and splendid tents, artfully
woven with gold]. 22
But Constantine, who is portrayed as…
…device in “König
Rother” that embeds the story in salvation history, see Kathryn Starkey: On Deer and
Dragons: Textiles and the Poetics of Medieval…
…Storytelling, in: Animals in Text and Textile.
Storytelling in the Medieval World, ed. by Kathryn Starkey, Evelin Wetter, Riggisberg
2019, pp. 47–64.
362
Uncut…
…. White:
Service for Fiefs or Fiefs for Services: The Politics of Reciprocity, in: Negotiating the Gift
[note 9], pp. 63–98.
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good…
…they are wearing the clothes
that my mother gave to me and my ladies).
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gift from a merchant to a king or from a king to his subjects…
…[note 18].
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Kathryn Starkey
Hagen’s men are astounded at these exquisite textiles. His chamberlain tells the
king that the gold, silver and gemstones…
…The use of cloth (vaðmál) as currency in Scandinavia, and particularly Iceland, is well
documented: See, for example, Smith [note 26].
367
Kathryn…
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